Taylor Mac cycles through American song
Taylor Mac emerges, godlike, from the mezzanine, resplendent in a sparkling headdress and gown, and from the stage of the Curran Theatre, where the audience is seated, it looks like the lowered chandelier is actually the crowning part of his ensemble.
Once Mac makes his way to the stage, where he joins his nine-piece band, he may appear less godlike – the dress, on closer inspection, is part tawdry tease, part used car lot banners and tinsel – but remains no less impressive.
Bay Area theater 2015: some favorites
One of the best things about the year-end exercise to round up favorite theatergoing memories of the preceding year is that it can be such a powerful reminder of how much good theater we have in the Bay Area and how many really extraordinary theater artists we have working here. Another element jumps out at me this year and that is how, in addition to great homegrown work, our area also attracts some of the best theater artists from around the world to come and share their work (at the behest of savvy local producers, of course). Herewith, some favorites from the year that was.
Baldwin adds spice to the delicacy known as Stew
Essentially, Notes of a Native Son is a rock show with a literary degree. Ini the words of Stew, the composer (with Heidi Rodewald), this 90-minute show is "not a musical nor a play with music. It's a song-cycle, a set, a concert, or put squarely, just a buncha songs with banter in between." And that about sums it up.
But what a description of the show itself can't convey is the sheer joy, the energy, the alive-ness of the music and feeling created by Stew and his band, the Negro Problem.
Steve Cuiffo dazzles as Lenny Bruce at the Curran
My knowledge of Lenny Bruce is sorely limited (I've seen the Dustin Hoffman movie and heard other comics express their reverence), but I'd like that to change. After seeing Steve Cuiffo Is Lenny Bruce at the Curran Theatre as part of the astonishingly varied and vital Curran: Under Construction series, I feel like not knowing enough about Lenny Bruce is not knowing enough about an important and influential artist of the 20th century.
Curran brilliance continues with stunning Ghost Quartet
Before I rhapsodize about the incredible Ghost Quartet now at the Curran Theatre as part of the Curran: Under Construction series, can I just say how extraordinary this series has been so far? This is the third show following The Events (review here) and The Object Lesson (review here), and so far, producer Carole Shorenstein Hays is batting a million (I don't know sports).
Stuff, nonsense and dreams in Curran's Object Lessson
You'd think, from the piles and walls of boxes that fill the stage of the Curran Theatre, that Geoff Sobelle's would involve shame – shame that we're so attached to our stuff and that we accumulate so much stuff and that being burdened by SO MUCH STUFF would be about the worst thing there is.
But that's not really the case.
Curran Theatre roars back to vibrant life
Carole Shorenstein Hays is doing something very exciting with the her jewel of a theater, the Curran Theatre. The 93-year-old neighbor to the Geary Theater in San Francisco's Union Square neighborhood is undergoing refurbishment, but most of the improvements are happening front of house, which leaves the stage available. So Hays, formerly of Best of Broadway and SHN, has launched a performance series called Curran: Under Construction, which brings smaller but notable performances to the Curran stage, where the audience also happens to be seated.